- The Greatness of India and Its Culture (7)
- The Greatness of India and Its Culture (8)
- The Greatness of India and Its Culture (9)
- The Greatness of India and Its Culture (10)
- The Greatness of India and Its Culture (11)
- The Greatness of India and Its Culture (12)
- The Greatness of India and Its Culture (13)
- The Greatness of India and Its Culture (14)
- The Greatness of India and Its Culture (15)
- The Greatness of India and Its Culture (16)
- The Greatness of India and Its Culture (17)
- The Greatness of India and Its Culture (18)
- The Greatness of India and Its Culture (19)
- The Greatness of India and Its Culture (20)
- The Greatness of India and Its Culture (21)
- The Greatness of India and Its Culture (22)
- The Greatness of India and Its Culture (23)
- The Greatness of India and Its Culture (24)
- The Greatness of India and Its Culture (25)
- The Greatness of India and Its Culture (26)
- The Greatness of India and Its Culture (27)
- The Greatness of India and Its Culture (28)
- The Greatness of India and Its Culture (29)
- The Greatness of India and Its Culture (30)
- The Greatness of India and Its Culture (31)
The Ancient Indian Spirit, Its Four Powers and the Secret of Its Greatness – The Aryan System of Education
I. The Spirit of Ancient India
“The spirit of ancient India was aristocratic; its thought & life moulded in the cast of a high & proud nobility, an extreme & lofty strenuousness. The very best in thought, the very best in action, the very best in character, the very best in literature & art, the very best in religion and all the world well lost if only this very best might be attained, such was the spirit of ancient India. The Brahmin who devoted himself to poverty & crushed down every desire in the wholehearted pursuit of knowledge & religious self-discipline; the Kshatriya who, hurling his life joyously into the shock of chivalrous battle, held life, wife, children, possessions, ease, happiness as mere dust in the balance compared with honour & the Kshatriya dharma, the preservation of self-respect, the protection of the weak, the noble fulfilment of princely duty; the Vaishya, who toiling all his life to amass riches, poured them out as soon as amassed in self-forgetting philanthropy holding himself the mere steward & not the possessor of his wealth; the Shudra who gave himself up loyally to humble service, faithfully devoting his life to his dharma, however low, in preference to self-advancement & ambition; these were the social ideals of the age.
The imagination of the Indian tended as has been well said to the grand & enormous in thought and morals. The great formative images of legend & literature to the likeness with which his childhood was encouraged to develop & which his manhood most cherished were of an extreme & lofty type. He saw Harischundra give up all that life held precious & dear rather than that his lips should utter a lie or his plighted word be broken. He saw Prahlada buried under mountains, whelmed in the seas, tortured by the poison of a thousand venomous serpents, yet calmly true to his faith. He saw Buddha give up his royal state, wealth, luxury, wife, child & parents so that mankind might be saved. He saw Shivi hew the flesh from his own limbs to save one small dove from the pursuing falcon; Karna tear his own body with a smile for the joy of making a gift; Duryodhan refuse to yield one inch of earth without noble resistance & warlike struggle. He saw Sita face exile, hardship, privation & danger in the eagerness of wifely love & duty, Savitri rescue by her devotion her husband back from the visible grip of death. These were the classical Indian types. These were the ideals into the mould of which the minds of men & women were trained to grow. The sense-conquering thought of the philosopher, the magnificent achievements of the hero, the stupendous renunciations of the Sannyasin, [the]unbounded liberality of the man of wealth, everything was exaggeration, extreme, filled with an epic inspiration, a world-defying enthusiasm.”1
“The ancient Indian culture attached quite as much value to the soundness, growth and strength of the mind, life and body as the old Hellenic or the modern scientific thought, although for a different end and a greater motive. Therefore to everything that serves and belongs to the healthy fullness of these things, it gave free play, to the activity of the reason, to science and philosophy, to the satisfaction of the aesthetic being and to all the many arts great or small, to the health and strength of the body, to the physical and economical well-being, ease, opulence of the race, – there was never a national ideal of poverty in India as some would have us believe, nor was bareness or squalor the essential setting of her spirituality, – and to its general military, political and social strength and efficiency. Their aim was high, but firm and wide too was the base they sought to establish and great the care bestowed on these first instruments.”2
Thus one can safely say that, “…Indian civilisation has been the form and expression of a culture as great as any of the historic civilisations of mankind, great in religion, great in philosophy, great in science, great in thought of many kinds, great in literature, art and poetry, great in the organisation of society and politics, great in craft and trade and commerce. There have been dark spots, positive imperfections, heavy shortcomings; what civilisation has been perfect, which has not had its deep stains and cruel abysses? There have been considerable lacunae, many blind alleys, much uncultured or ill-cultured ground: what civilisation has been without its unfilled parts, its negative aspects? But our ancient civilisation can survive the severest comparisons of either ancient or mediaeval times. More high-reaching, subtle, many-sided, curious and profound than the Greek, more noble and humane than the Roman, more large and spiritual than the old Egyptian, more vast and original than any other Asiatic civilisation, more intellectual than the European prior to the eighteenth century, possessing all that these had and more, it was the most powerful, self-possessed, stimulating and wide in influence of all past human cultures.”3
II. The Four Powers
The Four powers of the ancient Indian spirit are: (1) Spirituality, (2) Stupendous Vitality, (3) Strong Intellectuality and (4) The Synthetic Impulse of Mind and Life.
“Spirituality is indeed the master-key of the Indian mind; the sense of the infinite is native to it. India saw from the beginning, – and, even in her ages of reason and her age of increasing ignorance, she never lost hold of the insight, – that life cannot be rightly seen in the sole light, cannot be perfectly lived in the sole power of its externalities. She was alive to the greatness of material laws and forces; she had a keen eye for the importance of the physical sciences; she knew how to organise the arts of ordinary life. But she saw that the physical does not get its full sense until it stands in right relation to the supra-physical; she saw that the complexity of the universe could not be explained in the present terms of man or seen by his superficial sight, that there were other powers behind, other powers within man himself of which he is normally unaware, that he is conscious only of a small part of himself, that the invisible always surrounds the visible, the suprasensible the sensible, even as infinity always surrounds the finite. She saw too that man has the power of exceeding himself, of becoming himself more entirely and profoundly than he is, – truths which have only recently begun to be seen in Europe and seem even now too great for its common intelligence. She saw the myriad gods beyond man, God beyond the gods, and beyond God his own ineffable eternity; she saw that there were ranges of life beyond our life, ranges of mind beyond our present mind and above these she saw the splendours of the spirit. Then with that calm audacity of her intuition which knew no fear or littleness and shrank from no act whether of spiritual or intellectual, ethical or vital courage, she declared that there was none of these things which man could not attain if he trained his will and knowledge; he could conquer these ranges of mind, become the spirit, become a god, become one with God, become the ineffable Brahman. And with the logical practicality and sense of science and organised method which distinguished her mentality, she set forth immediately to find out the way. Hence from long ages of this insight and practice there was ingrained in her her spirituality, her powerful psychic tendency, her great yearning to grapple with the infinite and possess it, her ineradicable religious sense, her idealism, her Yoga, the constant turn of her art and her philosophy.
But this was not and could not be her whole mentality, her entire spirit; spirituality itself does not flourish on earth in the void, even as our mountaintops do not rise like those of an enchantment of dream out of the clouds without a base. When we look at the past of India, what strikes us next is her stupendous vitality, her inexhaustible power of life and joy of life, her almost unimaginably prolific creativeness.”4
B. Stupendous Vitality
“For three thousand years at least, – it is indeed much longer, – she has been creating abundantly and incessantly, lavishly, with an inexhaustible many-sidedness, republics and kingdoms and empires, philosophies and cosmogonies and sciences and creeds and arts and poems and all kinds of monuments, palaces and temples and public works, communities and societies and religious orders, laws and codes and rituals, physical sciences, psychic sciences, systems of Yoga, systems of politics and administration, arts spiritual, arts worldly, trades, industries, fine crafts, – the list is endless and in each item there is almost a plethora of activity. She creates and creates and is not satisfied and is not tired; she will not have an end of it, seems hardly to need a space for rest, a time for inertia and lying fallow. She expands too outside her borders; her ships cross the ocean and the fine superfluity of her wealth brims over to Judaea and Egypt and Rome; her colonies spread her arts and epics and creeds in the Archipelago; her traces are found in the sands of Mesopotamia; her religions conquer China and Japan and spread westward as far as Palestine and Alexandria, and the figures of the Upanishads and the sayings of the Buddhists are reechoed on the lips of Christ. Everywhere, as on her soil, so in her works there is the teeming of a superabundant energy of life. European critics complain that in her ancient architecture, sculpture and art there is no reticence, no holding back of riches, no blank spaces, that she labours to fill every rift with ore, occupy every inch with plenty. Well, but defect or no, that is the necessity of her superabundance of life, of the teeming of the infinite within her. She lavishes her riches because she must, as the Infinite fills every inch of space with the stirring of life and energy because it is the Infinite.”5
C. Strong Intellectuality
“But this supreme spirituality and this prolific abundance of the energy and joy of life and creation do not make all that the spirit of India has been in its past. It is not a confused splendour of tropical vegetation under heavens of a pure sapphire infinity. It is only to eyes unaccustomed to such wealth that there seems to be a confusion in this crowding of space with rich forms of life, a luxurious disorder of excess or a wanton lack of measure, clear balance and design. For the third power of the ancient Indian spirit was a strong intellectuality, at once austere and rich, robust and minute, powerful and delicate, massive in principle and curious in detail. Its chief impulse was that of order and arrangement, but an order founded upon a seeking for the inner law and truth of things and having in view always the possibility of conscientious practice. India has been preeminently the land of the Dharma and the Shastra. She searched for the inner truth and law of each human or cosmic activity, its dharma; that found, she laboured to cast into elaborate form and detailed law of arrangement its application in fact and rule of life. Her first period was luminous with the discovery of the Spirit; her second completed the discovery of the Dharma; her third elaborated into detail the first simpler formulation of the Shastra; but none was exclusive, the three elements are always present.
In this third period the curious elaboration of all life into a science and an art assumes extraordinary proportions. The mere mass of the intellectual production during the period from Asoka well into the Mahomedan epoch is something truly prodigious, as can be seen at once if one studies the account which recent scholarship gives of it, and we must remember that that scholarship as yet only deals with a fraction of what is still lying extant and what is extant is only a small percentage of what was once written and known. There is no historical parallel for such an intellectual labour and activity before the invention of printing and the facilities of modern science; yet all that mass of research and production and curiosity of detail was accomplished without these facilities and with no better record than the memory and for an aid the perishable palm-leaf. Nor was all this colossal literature confined to philosophy and theology, religion and Yoga, logic and rhetoric and grammar and linguistics, poetry and drama, medicine and astronomy and the sciences; it embraced all life, politics and society, all the arts from painting to dancing, all the sixty-four accomplishments, everything then known that could be useful to life or interesting to the mind, even, for instance, to such practical side minutiae as the breeding and training of horses and elephants, each of which had its Shastra and its art, its apparatus of technical terms, its copious literature. In each subject from the largest and most momentous to the smallest and most trivial there was expended the same all-embracing, opulent, minute and thorough intellectuality. On one side there is an insatiable curiosity, the desire of life to know itself in every detail, on the other a spirit of organisation and scrupulous order, the desire of the mind to tread through life with a harmonised knowledge and in the right rhythm and measure. Thus an ingrained and dominant spirituality, an inexhaustible vital creativeness and gust of life and, mediating between them, a powerful, penetrating and scrupulous intelligence combined of the rational, ethical and aesthetic mind each at a high intensity of action, created the harmony of the ancient Indian culture.
Indeed without this opulent vitality and opulent intellectuality India could never have done so much as she did with her spiritual tendencies. It is a great error to suppose that spirituality flourishes best in an impoverished soil with the life half-killed and the intellect discouraged and intimidated. The spirituality that so flourishes is something morbid, hectic and exposed to perilous reactions. It is when the race has lived most richly and thought most profoundly that spirituality finds its heights and its depths and its constant and many-sided fruition. In modern Europe it is after a long explosion of vital force and a stupendous activity of the intellect that spirituality has begun really to emerge and with some promise of being not, as it once was, the sorrowful physician of the malady of life, but the beginning of a large and profound clarity.”6
D. The Sounding of the Extremes and the Synthetic Impulse
“The European eye is struck in Indian spiritual thought by the Buddhistic and illusionist denial of life. But it must be remembered that this is only one side of its philosophic tendency which assumed exaggerated proportions only in the period of decline. In itself too that was simply one result, in one direction, of a tendency of the Indian mind which is common to all its activities, the impulse to follow each motive, each specialisation of motive even, spiritual, intellectual, ethical, vital, to its extreme point and to sound its utmost possibility. Part of its innate direction was to seek in each not only for its fullness of detail, but for its infinite, its absolute, its profoundest depth or its highest pinnacle. It knew that without a “fine excess” we cannot break down the limits which the dull temper of the normal mind opposes to knowledge and thought and experience; and it had in seeking this point a boundless courage and yet a sure tread. Thus it carried each tangent of philosophic thought, each line of spiritual experience to its farthest point, and chose to look from that farthest point at all existence, so as to see what truth or power such a view could give it. It tried to know the whole of divine nature and to see too as high as it could beyond nature and into whatever there might be of supradivine. When it formulated a spiritual atheism, it followed that to its acme of possible vision. When, too, it indulged in materialistic atheism, – though it did that only with a side glance, as the freak of an insatiable intellectual curiosity, – yet it formulated it straight out, boldly and nakedly, without the least concession to idealism or ethicism.
Everywhere we find this tendency. The ideals of the Indian mind have included the height of self-assertion of the human spirit and its thirst of independence and mastery and possession and the height also of its self-abnegation, dependence and submission and self-giving. In life the ideal of opulent living and the ideal of poverty were carried to the extreme of regal splendour and the extreme of satisfied nudity. Its intuitions were sufficiently clear and courageous not to be blinded by its own most cherished ideas and fixed habits of life. If it was obliged to stereotype caste as the symbol of its social order, it never quite forgot, as the caste-spirit is apt to forget, that the human soul and the human mind are beyond caste. For it had seen in the lowest human being the Godhead, Narayana. It emphasised distinctions only to turn upon them and deny all distinctions. If all its political needs and circumstances compelled it at last to exaggerate the monarchical principle and declare the divinity of the king and to abolish its earlier republican city states and independent federations as too favourable to the centrifugal tendency, if therefore it could not develop democracy, yet it had the democratic idea, applied it in the village, in council and municipality, within the caste, was the first to assert a divinity in the people and could cry to the monarch at the height of his power, “O king, what art thou but the head servant of the demos?” Its idea of the golden age was a free spiritual anarchism. Its spiritual extremism could not prevent it from fathoming through a long era the life of the senses and its enjoyments, and there too it sought the utmost richness of sensuous detail and the depths and intensities of sensuous experience. Yet it is notable that this pursuit of the most opposite extremes never resulted in disorder; and its most hedonistic period offers nothing that at all resembles the unbridled corruption which a similar tendency has more than once produced in Europe. For the Indian mind is not only spiritual and ethical, but intellectual and artistic, and both the rule of the intellect and the rhythm of beauty are hostile to the spirit of chaos. In every extreme the Indian spirit seeks for a law in that extreme and a rule, measure and structure in its application. Besides, this sounding of extremes is balanced by a still more ingrained characteristic, the synthetical tendency, so that having pushed each motive to its farthest possibility the Indian mind returns always towards some fusion of the knowledge it has gained and to a resulting harmony and balance in action and institution. Balance and rhythm which the Greeks arrived at by self-limitation, India arrived at by its sense of intellectual, ethical and aesthetic order and the synthetic impulse of its mind and life.
I have dwelt on these facts because they are apt to be ignored by those who look only at certain sides of the Indian mind and spirit which are most prominent in the last epochs. By insisting only upon these we get an inaccurate or incomplete idea of the past of India and of the integral meaning of its civilisation and the spirit that animated it. The present is only a last deposit of the past at a time of ebb; it has no doubt also to be the starting-point of the future, but in this present all that was in India’s past is still dormant, it is not destroyed; it is waiting there to assume new forms. The decline was the ebb-movement of a creative spirit which can only be understood by seeing it in the full tide of its greatness; the renascence is the return of the tide and it is the same spirit that is likely to animate it, although the forms it takes may be quite new. To judge therefore the possibilities of the renascence, the powers that it may reveal and the scope that it may take, we must dismiss the idea that the tendency of metaphysical abstraction is the one note of the Indian spirit which dominates or inspires all its cadences. Its real key-note is the tendency of spiritual realisation, not cast at all into any white monotone, but many-faceted, many-coloured, as supple in its adaptability as it is intense in its highest pitches. The note of spirituality is dominant, initial, constant, always recurrent; it is the support of all the rest. The first age of India’s greatness was a spiritual age when she sought passionately for the truth of existence through the intuitive mind and through an inner experience and interpretation both of the psychic and the physical existence. The stamp put on her by that beginning she has never lost, but rather always enriched it with fresh spiritual experience and discovery at each step of the national life. Even in her hour of decline it was the one thing she could never lose.
But this spiritual tendency does not shoot upward only to the abstract, the hidden and the intangible; it casts its rays downward and outward to embrace the multiplicities of thought and the richness of life. Therefore the second long epoch of India’s greatness was an age of the intellect, the ethical sense, the dynamic will in action enlightened to formulate and govern life in the lustre of spiritual truth. After the age of the Spirit, the age of the Dharma; after the Veda and Upanishads, the heroic centuries of action and social formation, typal construction and thought and philosophy, when the outward forms of Indian life and culture were fixed in their large lines and even their later developments were being determined in the seed. The great classical age of Sanskrit culture was the flowering of this intellectuality into curiosity of detail in the refinements of scholarship, science, art, literature, politics, sociology, mundane life. We see at this time too the sounding not only of aesthetic, but of emotional and sensuous, even of vital and sensual experience. But the old spirituality reigned behind all this mental and all this vital activity, and its later period, the post-classical, saw a lifting up of the whole lower life and an impressing upon it of the values of the spirit. This was the sense of the Puranic and Tantric systems and the religions of Bhakti. Later Vaishnavism, the last fine flower of the Indian spirit, was in its essence the taking up of the aesthetic, emotional and sensuous being into the service of the spiritual. It completed the curve of the cycle.
The evening of decline which followed the completion of the curve was prepared by three movements of retrogression. First there is, comparatively, a sinking of that superabundant vital energy and a fading of the joy of life and the joy of creation. Even in the decline this energy is still something splendid and extraordinary and only for a very brief period sinks nearest to a complete torpor; but still a comparison with its past greatness will show that the decadence was marked and progressive. Secondly, there is a rapid cessation of the old free intellectual activity, a slumber of the scientific and the critical mind as well as the creative intuition; what remains becomes more and more a repetition of ill-understood fragments of past knowledge. There is a petrification of the mind and life in the relics of the forms which a great intellectual past had created. Old authority and rule become rigidly despotic and, as always then happens, lose their real sense and spirit. Finally, spirituality remains but burns no longer with the large and clear flame of knowledge of former times, but in intense jets and in a dispersed action which replaces the old magnificent synthesis and in which certain spiritual truths are emphasised to the neglect of others. This diminution amounts to a certain failure of the great endeavour which is the whole meaning of Indian culture, a falling short in the progress towards the perfect spiritualisation of the mind and the life. The beginnings were superlative, the developments very great, but at a certain point where progress, adaptation, a new flowering should have come in, the old civilisation stopped short, partly drew back, partly lost its way. The essential no doubt remained and still remains in the heart of the race and not only in its habits and memories, but in its action it was covered up in a great smoke of confusion.”7
- Complete Works of Sri Aurobindo, Vol.07, pp.1095-97, Sri Aurobindo Ashram, Pondicherry
- Complete Works of Sri Aurobindo, Vol.20, p.34, Sri Aurobindo Ashram, Pondicherry
- Ibid., p.79
- Ibid., pp.6-7
- Ibid., pp.7-8
- Ibid., pp.8-10
- Ibid., pp.10-14